Writer
Editorial Desk
The MyLyricsFinder editorial desk reviews and publishes interpretations.
Recent work
-
Morgan Wallen's 'Been By Now': The Math of a Relationship That Didn't Add Up
-
Dan + Shay's "You": The Vow Inside the Slow Dance
-
Clean Bandit's 'A+E': Predator, Partner, and the Threat of Rewriting Someone
-
Florence + the Machine's 'Never Let Me Go': Drowning as Deliverance
-
Ava Bently's Daddy Issues: Swagger with the Lights On
-
Frank Ocean's 'Pink + White': A Eulogy Dressed as a Summer Memory
-
Butter & Grit's 'that's okay': Letting the Day Pass Through You
-
Hans Ambient's 'Video Editing': A Send-Off Wrapped in Synth Gold
-
500 Horses: Nipsey Hussle and Bino Rideaux Turn Grief into Gas
-
Dan + Shay's 'Speechless': The Wedding-Day Silence That Says Everything
-
Noodah05's 'Around Me': The Cost of Being Close
-
EVAN's 'Overflow': The Loop You Can't Walk Out Of
-
Bella Kay's 'Steady': The Breakup That Happens Before the Relationship
-
Solomon Hayes, 'One Good Day': A Pop Manifesto for Ordinary Heroism
-
I Miss You More: Diane Butler's Long-Distance Confession
-
Thick As A Brick, Pt. 1: Jethro Tull's Mock-Epic on Making a Man
-
Banjo Boy: A Small-Town Serenade Reimagined for the Bayou
-
Olivia Rodrigo's 'Can't Catch Me Now': A Ghost Story from Panem
-
The 3 a.m. Prayer at the Center of Noah Graves' 'Jesus, I'm afraid'
-
Bring Your Love: Madonna's Refusal Set to a Stuart Price Beat
-
Heartless: Kanye West's 3 A.M. Breakup Argument
-
Faith on Her Own Terms: Reading Olivia Rodrigo's 'track 2'
-
Ask Yourself This: Inside the Peaktime Dub of 'Bring Your Love'
-
BbY WOW: Karol G's Reggaeton Ode to Not Being Over It
-
Jamie Miller's 'Babydoll': ambition, paranoia, and a French rap swerve
-
Hey Heartbreaker: Flirtation Dressed Up as a Dinner Invitation
-
The Guilt Behind the Question: Francesca Battistelli's 'He Will'
-
Madonna and Kylie Minogue's 'Love Sensation': Devotion as Dancefloor Chemistry
-
Sadie Barlow's 'I Choose Me': The Quiet Exit Anthem
-
Cole Swindell's 'Dad's Old Number': The Call That Can't Go Through
-
Motion as Resistance: Reading The Chemical Brothers' 'Go'
-
Kanye West's 'Heartless': The Coldest Story, Told in Auto-Tune
-
Tom MacDonald's 'Remember Who You Are': Grievance as Rally Cry
-
Oliver Tree's 'Life Goes On': A Breakup Set to a Treadmill
-
Kimo Sounds' 'Rise Slow': The Case for Being Built to Stay
-
Chris Brown's 'Nthn2tlkbout': The Text Thread That Doesn't Need Words
-
Green Day's 'Good Riddance' in Tokyo: A Punk Farewell, Softened for the Encore
-
Flavia Tash's 'The Storm Couldn't Kill Me': Anatomy of a Survival Anthem
-
Noah Nine's "A Man Can Cry": Permission, Not Weakness
-
Dan + Shay's 'Marry You Again': The Vow That Keeps Being Made
-
Overthink: Wale and Elmiene on the Noise Between Moments
-
Everlasting: Armin van Buuren and SACHA's Vow to a Last Love
-
WannaCry: Ninajirachi and Porter Robinson Turn a Ransomware Attack Into a Love Song
-
The Short List of Things You Can Count On
-
Bob Dominator's Dark Night: When Wanting Feels Like War
-
Can I Have This Dance: The Waltz That Says Goodbye Without Saying It
-
World In Motion: How New Order Made the Only Great Football Song
-
Harry Styles, 'Are You Listening Yet?': A Euro-House Wake-Up Call
-
Robin Schulz & Oliver Tree's 'Miss You': Longing Turned into a Public Announcement
-
Carly Simon's 'Peaches': The Sweetness of Being the Bad Guy
-
PRESIDENT's 'dark heaven': When the Sermon Sounds Like Gunfire
-
Chase Matthew's 'Autopilot': Loving Someone Who Won't Land
-
Piano: Ariana Grande's Small Manifesto Against the Sad Song
-
Brooks & Dunn's 'Neon Moon': The Bar as Waiting Room for the Lonely
-
Rylo Rodriguez & Veeze, "Kount Ya Hat": A Scoreboard Disguised as a Song
-
The Exit Interview: HEEDAE & C JAMM's 'Let It Go'
-
112: A Korean Rap Homage to Slow-Jam R&B
-
Show Starts Now: The Savannah Bananas' Anthem for Living in the Present
-
Big Time Rush's 'Boyfriend': The Pop Pitch as Persistence
-
Three Lions: The Sound of English Hope Refusing to Die