Writer
Editorial Desk
The MyLyricsFinder editorial desk reviews and publishes interpretations.
Recent work
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Morgan Wallen's 'Been By Now': The Math of a Relationship That Didn't Add Up
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Noah Nine's "A Man Can Cry": Permission, Not Weakness
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Flavia Tash's 'The Storm Couldn't Kill Me': Anatomy of a Survival Anthem
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Green Day's 'Good Riddance' in Tokyo: A Punk Farewell, Softened for the Encore
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Chris Brown's 'Nthn2tlkbout': The Text Thread That Doesn't Need Words
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Kimo Sounds' 'Rise Slow': The Case for Being Built to Stay
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Oliver Tree's 'Life Goes On': A Breakup Set to a Treadmill
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Tom MacDonald's 'Remember Who You Are': Grievance as Rally Cry
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Kanye West's 'Heartless': The Coldest Story, Told in Auto-Tune
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Motion as Resistance: Reading The Chemical Brothers' 'Go'
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Cole Swindell's 'Dad's Old Number': The Call That Can't Go Through
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Robin Schulz & Oliver Tree's 'Miss You': Longing Turned into a Public Announcement
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Harry Styles, 'Are You Listening Yet?': A Euro-House Wake-Up Call
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World In Motion: How New Order Made the Only Great Football Song
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Can I Have This Dance: The Waltz That Says Goodbye Without Saying It
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Bob Dominator's Dark Night: When Wanting Feels Like War
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The Short List of Things You Can Count On
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WannaCry: Ninajirachi and Porter Robinson Turn a Ransomware Attack Into a Love Song
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Everlasting: Armin van Buuren and SACHA's Vow to a Last Love
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Overthink: Wale and Elmiene on the Noise Between Moments
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Dan + Shay's 'Marry You Again': The Vow That Keeps Being Made
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Brooks & Dunn's 'Neon Moon': The Bar as Waiting Room for the Lonely
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Piano: Ariana Grande's Small Manifesto Against the Sad Song
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Chase Matthew's 'Autopilot': Loving Someone Who Won't Land
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PRESIDENT's 'dark heaven': When the Sermon Sounds Like Gunfire
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Carly Simon's 'Peaches': The Sweetness of Being the Bad Guy
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Mad: A Sheng-Language Love Boast for the Ages
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Rylo Rodriguez & Veeze, "Kount Ya Hat": A Scoreboard Disguised as a Song
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The Exit Interview: HEEDAE & C JAMM's 'Let It Go'
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112: A Korean Rap Homage to Slow-Jam R&B
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Show Starts Now: The Savannah Bananas' Anthem for Living in the Present
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Big Time Rush's 'Boyfriend': The Pop Pitch as Persistence
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Three Lions: The Sound of English Hope Refusing to Die
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Rylo Rodriguez's 'Idols R' Us': Loyalty Math in a World of Rats
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HAN's 'back to life': the crowd as the point
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BTS 'Come Over': The 3 A.M. Knock That Might Not Be Answered
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Blake Whiten's 'Barely Gettin' By': A Working Musician's Ledger of Losses
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NELL's 'The Time of Walking On Remembrance': Grief in Every Ordinary Object
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Kings of Leon's 'Sex on Fire': Lust With a Ticking Clock
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No Es Pa Presumir: Fuerza Regida's Barrio-to-Highway Success Story
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In This Moment's 'Sleeping with the Enemy': The Betrayal You Slept Next To
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Sufficiency Over Supply: Reading westwashere's 'more than enough'
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Rest in Pieces: Inside Five Finger Death Punch's 'Eye of the Storm'
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Designer Eyes and African Waists: Inside 'Summer Time : D'
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Heavy Pulp's 'Sweet Land': A Prisoner's Chorus
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Jerri's 'The JAWN' and the Language of Wanting
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Gavin Adcock's 'The Day I Hang It Up': A Vow With No Exit Clause
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Jason Stills' 'Welcome To The Land Of The Free': A Pledge of Allegiance Rewritten
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The Long Return: Reading Taylor Swift's 'I Knew It, I Knew You'
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The Pause Before Love Arrives: Choi Yu Ree's 'When I Stop Thinking'
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Rylo Rodriguez, 'Endless Cups': Grief on a Loop
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The Ronettes' 'Be My Baby': A First-Night Vow, Cast in Wall of Sound
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Chappell Roan's 'Pink Pony Club': A Runaway Anthem for Anyone Who Had to Leave Home to Become Themselves
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The Rehearsals Don't Count: Lauren Alaina and Kane Brown's 'Never Been In Love'
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Sing a Song: The 8 and Vernon's Sleepless Duet
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Fat Les, 'Vindaloo': the anti-anthem that made a curry into a football chant
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Another Drink: Kelsea Ballerini and Marshmello Turn a Breakup Bar Scene Into a Refusal Anthem
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Wild Thoughts: Desire on Autopilot
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Between the Fire and Flame: The Divided Heart of 'Wild'
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Noah Nine's 'Mama, I Still Call Your Name': Grief in the Kitchen and at the Bedside