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Grand Theft Auto VI: Original Score album cover by Justice, Tame Impala, SZA & King Gizzard & The Lizard Wizard

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2026 · From the album Grand Theft Auto VI: Original Score

Flower In A Hurricane [From GTAVI: Original Score]

by Justice, Tame Impala, SZA & King Gizzard & The Lizard Wizard

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03:45 Runtime

The reading

A duet about choosing devotion in the middle of chaos, knowing the storm will probably win but refusing to leave before it does

02 · Interpretation

Flower In A Hurricane: Love as a Stand Against the Weather

E Editorial Desk

Few supergroups on paper look as mismatched as the one assembled here: French dance-rock producers, an Australian psych-pop auteur, an American R&B star, and a prolific Melbourne garage-psych collective. For a Grand Theft Auto soundtrack, a series that has long treated licensed music as a core storytelling tool, that strange alliance makes sense. The game's world is loud, overbuilt, and unstable, and the song answers it with a ballad about trying to love someone through weather you cannot control.

The chorus lays out the thesis in four plain lines. Love is defined by its lack of hesitation; trust, by its cost. The central image of a flower in a hurricane fixes the stakes: something soft and brief holding on in a system designed to flatten it. The payoff shifts between two readings. In one pass, the couple watches the sun rise into another day, survival framed as quiet wonder. In the second pass, that soft image gives way to a vow: die before walking away. The song keeps both options on the table, which is part of its argument. Staying is the choice, every time, until it isn't.

The verse that follows pulls the camera back to the weather itself. Thunder, floods, flashes, and a heart that aches until it is washed away again. The repetition of "once more" is doing work here; this is not a first storm, and the speaker has been rebuilt before. That history is what gives the next verse its particular urgency. The pacing changes: take it fast, like a flash, gone like a second chance. The lyric treats time as something already running out, and the response is not panic but attention. Living it to the very last breath is less a romantic flourish than a practical instruction.

The bridge where the mask slips

The late verse is where the song admits what the chorus has been dancing around. The speaker thinks about it now and then. The question is not if but when. Something beautiful is coming to an end. The hedge "and if we ever get there" leaves the sentence deliberately unfinished, as if naming the ending too precisely would speed it up. This is the song's most honest moment, and it reframes everything before it. The vow to die before walking away is not naive; it is made by someone who has already done the math.

As a piece of scene-setting for a Grand Theft Auto game, that tension lands in a specific way. The series has always been interested in characters who commit to each other inside systems designed to grind them down, whether those systems are economic, criminal, or just the city itself. A flower in a hurricane is a tidy image for that kind of attachment: small, legible, almost certainly temporary, and worth the trouble anyway.

Why the collaboration works

Even without hearing the arrangement, the lineup suggests how the song might carry its weight. Justice tend to build tracks around a hard pulse that frames softer vocal lines; Tame Impala's Kevin Parker writes melodies that sit comfortably inside dance production; SZA phrases around the beat rather than on top of it; King Gizzard bring a looser, rockier texture that can swell and recede. A song whose whole subject is holding steady inside turbulence is a good match for voices that specialize in different kinds of pressure.

What the song gives a listener, beyond its context in the game, is a usable sentiment that avoids the usual romantic shortcuts. It does not promise forever. It does not pretend the storm will pass. It offers something smaller and more defensible: attention, refusal to leave, and the acknowledgment that beauty and its ending tend to arrive together. That is why a line about a flower, which could read as twee in other hands, holds its shape here.

Themes catalogued

devotion impermanence chaos commitment

03 · Lyrics

"Flower In A Hurricane [From GTAVI: Original Score]"

Only love never hesitates

Only trust has a price to pay

Like a flower in a hurricane

We see the sun rise into another day

Only love never hesitates

Only trust has a price to pay

Like a flower in a hurricane

I will die before I walk away, walk away

Thunder crashes

Floods and flashes

And my heart is achin'

'Til I'm washed away once more

Let's take it fast, just like a flash

And in a moment, we'll be gone like a second chance

You and me, we don't let this life go rushin' past (oh)

I'll live it to the very last breath

Only love never hesitates

Only trust has a price to pay

Like a flower in a hurricane

We see the sun rise into another day

Only love never hesitates

Only trust has a price to pay

Like a flower in a hurricane

I will die before I walk away, walk away

('Cause you know) you know I think about it now and then (uh-huh)

Is it a matter of not if, but when? (Uh-huh)

Somethin' beautiful comin' to an end (an end)

And if we ever get there

Lyrics via Google. Copyright belongs to rights holders.

04 · FAQ

Frequently asked

What does "Like a flower in a hurricane" mean in the song?
The image frames a relationship as something delicate trying to hold its position inside overwhelming conditions. It is not a prediction of survival; the flower is clearly outmatched. The point is that the couple chooses to keep standing there anyway, which the chorus treats as the whole definition of love.
Who sings on Flower In A Hurricane from the GTA VI score?
The track is credited to Justice, Tame Impala, SZA, and King Gizzard & The Lizard Wizard, an unusual four-way collaboration across French electronic music, Australian psych-pop and psych-rock, and American R&B. It was released on October 15, 2026 as part of the Grand Theft Auto VI: Original Score.
What is the bridge about when it asks "is it a matter of not if, but when?"
The speaker is admitting, quietly, that the relationship is going to end; the only open question is timing. The follow-up about "somethin' beautiful comin' to an end" confirms it. That confession reframes the earlier vow to never walk away as a conscious choice made by someone who already sees the ending.
How does Flower In A Hurricane fit into Grand Theft Auto VI?
As part of the original score rather than the in-game radio, it functions as a mood piece for the game's world rather than a diegetic track. Its themes of commitment under constant threat align with the series' long interest in characters trying to hold onto each other inside unstable, high-pressure environments.
Why does the chorus repeat with different endings?
The first pass ends with the couple watching the sun rise into another day, which reads as survival and relief. The second ends with the vow to die before walking away. Pairing the two keeps both outcomes present at once: the quiet morning and the refusal to leave, with the song declining to pick.
What does "gone like a second chance" suggest about the song's view of time?
It treats time as something that disappears the moment you notice it, the way a second chance evaporates when you hesitate. The lyric that follows, about not letting life rush past and living to the last breath, is the response: pay attention aggressively, because speed is the default.
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